“with the same determination to divide the country unless they can secure universal abolition, we are exposed to the same dangers every day, and God only knows in what unlucky hour our ruin may be consummated... Compare his policy with McClellan’s expression of readiness to receive any State when its people offer to submit to the Union.”

This Democratic Party campaign pamphlet quotes an April 1864 letter to argue that Lincoln gave Lieutenant General Ulysses S. Grant free rein to conduct the war, after having interfered with and micromanaged McClellan’s Peninsula Campaign in 1862. The publication also declared that Republicans were stained with “The Taint of Disunion” and quoted from Republican speeches and editorials to insist that the Democrats were the party of “UNION AND PEACE.”

The second in a series of four racist political cartoons published in 1864 by Bromley & Company, which was closely affiliated with the Copperhead New York World newspaper. These prints sought to undermine Abraham Lincoln’s chances for reelection by branding him as a “miscegenationist” and playing on white fears of “race-mixing.” The cartoon scene pictures several interracial couples enjoying a day at the park, eating ice cream, discussing wedding plans, and a woman’s upcoming lecture. Two African American families have white employees, a carriage driver and footmen and a babysitter.

The only other example traced at auction brought $7,800 in 2010.

Featuring illustrations of Philadelphia Sanitary Fair Central buildings, and Generals Gouverneur Warren and Horatio Wright on the front page. “Belle Plain, Virginia General Grant’s Late Base of Supplies”; “Army of the Potomac—General Warren Rallying the Marylanders”; “President Lincoln and His Secretaries”; Centerfold: “Army of the Potomac—Struggle for the Salient, near Spottsylvania [sic], Virginia, May 12, 1864”; three illustrations of the environs of Spottsylvania [sic] Court House; “Sherman’s Advance—General Logan’s Skirmishes Advancing Toward: the Railroad at Resaca”; and “Sherman’s Advance—Position of Osterhau’s Division on Bald Hill.”

With the war going badly, the 1864 election is no shoo-in for the incumbent.

Frederick A. Aiken, former Secretary of the Democratic National Convention, applauds General John C. Frémont’s nomination by the Radical Republicans. He suggests that Frémont will have the blessing of the Democrats if he goes up against Lincoln for the Republican nomination. Aiken went on to serve (unsuccessfully) as defense attorney for Lincoln assassination conspirator Mary Surratt.

“Neither slavery nor involuntary servitude,...shall exist within the United States....”

Frank Leslie published this print as a premium for his new family magazine, Frank Leslie’s Chimney Corner, and copyrighted it on April 8, 1865, just a week before Lincoln’s death. The image, created by engraver Henry B. Major and lithographer Joseph Knapp, portrays Lincoln, flanked by the First Lady and Vice President Andrew Johnson, greeting Julia Dent Grant, wife of Lieutenant General Ulysses S. Grant who stands nearby.

According to a notice printed at the bottom right corner, “Every Person who pays Ten Cents each for numbers 1 and 2 of Frank Leslie’s Chimney Corner, The New Family Paper, is entitled to a copy of this PLATE without extra charge,” or individuals could purchase the print for $3.

The first carte-de-visite shows the young actor as he appeared a few years before he assassinated President Abraham Lincoln to avenge the South for the failure of the Confederacy. The original photograph was taken by Silsbee & Case of Boston in 1862. The photograph was widely reproduced in the aftermath of the assassination and given to search parties looking for Booth.

The second is a profile photograph of John H. Surratt after his return to the United States and trial, with the notice that it was “Entered according to Act of Congress by John H. Surratt, in the year 1868, in the Clerk’s Office of the District Court of the District of Columbia.” With “Brady & Co’s” mark on the verso.

“EXTRA / PRESIDENT LINCOLN ASSASSINATED / HE IS DEAD / SEWARD ASSASSINATED.”  This vivid early account of the assassination of President Lincoln includes Booth’s name as the suspected assassin and an account of the attack on Secretary of State William H. Seward, incorrectly reporting his death.

“the picture...ought to be placed somewhere for public exhibition.”

New York artist James Burns depicts the “Death of Abraham Lincoln” on April 15, 1865, in the Petersen House, across 10^th Street from Ford’s Theatre in Washington, D.C. Mary Lincoln is prostrate with grief, leaning over Lincoln. Twenty-seven other figures are shown surrounding the bed, including the Lincolns’ oldest son Robert, members of the cabinet, Vice President Andrew Johnson, several doctors, Members of Congress, and others in various stages of shock and grief, along with military surgeons. The room was only 9½ by 17 feet. Lincoln had to be laid diagonally across the bed with his head propped up to allow him to breathe more easily. Only a few people could fit at any time, but everyone shown had visited at some point during the night.

“At 2:50 A.M. the President was still alive, but insensible and completely helpless.
President died at 7:22 this Saturday morning.”

This vivid early account of the assassination of President Lincoln notes that Secretary of State William H. Seward and his son Frederick (misidentified as Frank) had also been attacked. The newspaper obtained its information from a telegraph operator at the local railroad depot.

Engravings include: Lincoln and son Tad at home. Scene at the death bed of President Lincoln. Funeral service at the White House. Ford’s Theatre. Attempted assassination of Secretary Seward. Citizens viewing the body at City Hall, New York.

Gideon Welles and Samuel P. Lee revoke an appointment at the end of the war.

“The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of [personal]rights and rights of property, between former masters and slaves and the connection heretofore existing between them, becomes that between employer and free laborer.”

According to historian Henry Louis Gates, Juneteenth, first celebrated in 1866, initially was an “occasion for gathering lost family members” and “measuring progress against freedom.”[1] In 1980, Juneteenth became aholiday in Texas, the first emancipation celebration granted official state recognition, through the efforts of legislator Al Edwards. Juneteenth is now aholiday in the District of Columbia and forty-seven states—all but Hawaii, North Dakota, and South Dakota.

Possibly unique handbill advertising “Town Hall Lecture By the Great Colored Orator, Fred. Douglass, This Evening. Subject: The Assassination of Abraham Lincoln.” On the first day of the county fair, September 27, 1865, Douglass spoke to a packed Rutland, Vermont, Town Hall.

“Doors open at 7 o’clock, Lecture to commence at 8 o’clock. Admission 25 cents. Tickets for sale at the Herald Book Store or at the Door.”